Showing posts with label Tutorials. Show all posts
Showing posts with label Tutorials. Show all posts

Friday, 15 August 2014

Choosing the best yarn for the job: Cables and fancy stitchwork

Decisions, decisions....

When designing and/or knitting an item it's important to consider what type of yarn is going to be most suitable for the project you have in mind. Getting this right means an enjoyable and deeply rewarding knit. Getting it wrong, however, can be a truly disheartening and costly experience in terms of the time and money you'll feel you will have wasted. There is such a plethora of different  yarns  available out there to choose from, but how do you go about choosing the one that's going to work best for your project?

The key is to consider the different characteristics of the yarn which includes the weight (i.e. thickness or fineness), texture, colour, fibre and handle. I touched on  some of these previously in my tutorial on substituting yarns, but here I'm going to talk you through a specific example.

Tip:
I think it is a good idea to consider this before you start looking at the yarns, otherwise you will not be focussed on the job in hand and, once surrounded by all that knitterly loveliness, you will be seduced by whatever most catches your eye and pay less attention to your mission - which is to ensure a wonderfully successful and satisfying result for your intended item.

 

What is the brief?

If you are designing you will have some ideas in mind, but even if you are knitting someone else's pattern it is helpful to consider the following questions: Who/what it is for? Will it require frequent washing? How hard wearing does it need to be? Any relevant factors about the wearer - do they have a wool allergy for example? What season is going to be worn for? These are by no means exhaustive, and you may have other questions or considerations of your own.

So for my brief, I am looking to make a women's neckwear item for the early autumn. As it is worn around the neck it can't be 'scratchy' as your skin is very sensitive in that area. Also it will probably be worn very regularly so will need to wash well and easily. I intend to have plenty of stitch detail with cables, textured stitches and maybe some beads to boot. A good range of colours is always a plus so you have plenty of choice, and I like my colours to be rich but not harsh. I always like to use a quality yarn if I'm investing all those valuable life seconds into something, but I'm not looking for anything too luxurious. So putting all that into the equation, I've plumped for Rowan Wool Cotton. A staple and real workhorse of the Rowan range, this yarn's characteristics and reasonable price make it an ideal choice:

Weight: A DK yarn knitted on 4mm needles, this won't be the quickest knit, but is a great weight for showing off detailed stitchwork such as cables. The thicker the yarn, the bigger the scale of the cables, and as this is for a relatively small area I need to keep it to a pretty small scale.

Fibre & Handle: 50% wool and 50% cotton makes for a very soft, non-scratchy feeling fibre. With some of the  the plump springiness of wool but with the coolness and drape of cotton, this is a great choice for early Autumn wear

Texture: The smooth texture and high twist spin of the yarn makes for excellent stitch definition which is hard to be beat - great for showing off all that lovely cable stitchwork

Colour: Wool Cotton comes in a wide range of delicious solid colours, ideal for showing off detail and  stitchwork which would be obscured by a fancier colour treatment. With 20 shades to choose from, there's bound to be at least one colour the intended wearer is going to love.

Aftercare: Machine washable at 40% this yarn washes exceptionally well, softening even more in the process.

So now I've come to a decision on the type of yarn I just need to make a decision about the colour - now that is a tough choice to make but I've got it down to either of these two - which one do you prefer?

Ship Shape
Bilberry

Cables and textured stitches can seem really complicated, and certainly look the part, but they are surprising easy once you know how. If you haven't tried it yet, it's a great string to add to your knitterly bow. If you live in the Swansea area you may be interested in my September Workshop on the subject. I'll be making a design as per the brief above and I'll show how this progresses in future posts. The plan is for this be offered as a free pattern to all those that attend the workshop, and will also be available to purchase on my website and via Ravelry at a later date.


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Monday, 12 May 2014

Knitting Tension (Gauge) for the Terrified: Part 1

So you've spent hours seeking out the pattern of your heart's desire, you've found the perfect yarn to knit it with that you makes your heart sing (and your mouth water!), you've snatched the size needles recommended in the pattern from your stash, you sprint over to your fave knitting seat and just are about to rip that ball band off in joyous frenzy- STOP RIGHT THERE and read on !!!

I know I touched on this subject in my how to substitute yarns of a similar thickness tutorial, but as tension really is the keystone to knitting designs I feel a more in depth forray into this topic is warranted.

A surprising number of knitters skip the vital stage of swatching their tension before embarking on their knitting journey for a number of reasons:
  • they are impatient to to start knitting the actual project
  • it seems to be a mysterious and unfathomable process
  • they are not sure how to go about swatching for and measuring tension - knitted fabric is pretty wriggly isn't it?
  • they believe there is a RIGHT or WRONG tension, and feel defeated if theirs doesn't match, so if they don't swatch then they don't have to feel bad about their knitting ability
  • it can seem tricky to match the tension exactly and feels like they are fumbling in the dark.
  • they are worried about 'wasting' yarn, or running out of yarn if they've used some of it on swatching.
I'm sure you can think of  more reasons why folks avoid the tension swatch - if so, do share by making a comment below.

I can relate to all the above, and confess that in the early days of knitting I never swatched, and sometimes this works out just fine for simple projects, but it often leads to some disappointing results such as:
  • it comes out too small or too large
  • you can't get your head through the neck opening
  • the pieces don't fit very well together when you come to making a garment up
  • the resulting knitted fabric 'drops' because it is knit too loose
  • the resulting fabric feels stiff because it is knit too tightly
  • you run our of yarn before you finish and can't get more in the same dye lot
  • the yarn you chose doesn't actually look that good knit up to that pattern afterall.....
After weeks of slaving over a hot pair of needles this can feel disastrous, and all that hard work (and costly yarn) ends up relegated to the back of your wardrobe which is such a shame. For the sake of a couple of extra hours, the outcome could be very different, and a couple of hours seems a small investment of time  to make before committing to all those hours it will take to knit your project.

Now I know that some of you die-hard non-swatchers have heard all this before, but nothing convinces as much as a real example -  seeing really is believing. These two samples were knit with the same yarn and same number of stitches – the only difference was the needle size used – the smaller sample used 2.5mm, and the larger used 4mm. As I hope you can see this has made a huge difference to the dimensions of the finished samples, and should hopefully persuade even the most resistant amongst you to take the time to do that tension swatch.



Next time I'll show you how to measure the tension of your knitted swatch and, more importantly, what to do if yours doesn't match what the pattern is asking for.

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Sunday, 9 February 2014

How To: Substitute Yarns of a Similar Thickness.

If you've ever thought "nice pattern, shame about the yarn", then the ability to successfully swap the yarn for one you'd prefer to use is invaluable. There are a number of other scenarios where you might  want to deviate from the pattern path:
  • the yarn recommended has been discontinued - especially true if using a vintage pattern
  • you can't wear or handle that particular fibre e.g. wool allergy (how awful would that be for a knitter!!)
  • you have acquired or been gifted a bagful of lovely vintage yarn, previously believed to have been extinct, so you are unlikely to find a pattern to go with it
  • the yarn is too expensive for your budget, or indeed you would like to upgrade to a luxury yarn.
  • you've got a tonne of stash already (unlikely I know, but it can happen!)
  • the recommended yarn only comes in colours that simply don't do it for you.
  • just because you are a rebel and want to put your own stamp on it ;-)

In this tutorial I share what you need to know to substitute a yarn with one of the same tension (gauge) which means you won't have to adjust the pattern in order to knit up your project. Although this makes for a relatively straight forward switch,  there are a number of important considerations you should take into account when choosing your replacement yarn.

Weight & Tension (Gauge)

Ensuring your new yarn closely matches the weight and tension (or gauge) of the one stated in the pattern is key to a successful yarn swap where you don't want to have to transpose the pattern, and looking at these is the best place to start. The simplest way to do this is to match the tension (gauge) on your preferred yarn's ball band/product description to that of the yarn used in the pattern. This is easy enough to do if you are in the yarn shop with the actual balls of yarn in front of you to compare. However if this is not the case you will need to deepen your understanding of weight & tension, so take a big breath and read on....

The weight of a yarn in knitting terms refers to the thickness or fineness of it rather than it's weight as such (e.g. 50g ball). It's important to get a similar weight or you may be disappointed with how your knit turns out compared to the one pictured on the pattern. Sometimes this is made explicit in the name of the yarn which may include terms like 4ply, DK, Aran, Chunky etc. However this is often not the case, so a little detective work may be in order. Your best friends here are the pattern instructions and yarn labels which will provide useful clues such as the size of needle and tension. There isn't a definitive standardised way of categorising weight of yarn, but the Craft Yarn Council (US) has attempted to address this with their standard yarn weight system  which is useful here. The tension and needle size provided can help you  discern the weight of the yarn.

So for example, if your pattern states the tension is 22st and 30 rows to 10cm (4in) measured over stocking (stockinette) stitch using 4mm needles, referring to the Craft Yarn Council's chart, this yarn most likely falls into the DK (Light worsted) category. So now you know you are looking for a DK yarn....

It's also helpful to understand the difference in UK versus US terminology shown in the table below:
 

UK
US
4ply
Sport
Double Knitting
Light Worsted
Aran
Fisherman/Worsted
Chunky
Bulky
Super Chunky
Extra Bulky


Tension (gauge) is the standard way of communicating how loosely or tightly the yarn has been knit for that particular project and can vary depending on the desired effect, so the tension is not cast in stone for any particular yarn. However most yarns will be assigned an average tension, or average range of tension by the manufacturers, and this will also give you some idea of the weight of the yarn.

The most common way of quantifying tension is to give the number of stitches and rows needed to make a 10cm (4 inch) square, and the size of the needles used. Unless otherwise stated this generally refers to squares knit in stocking (stockinette) stitch. You can usually find this information on the ball band, or if browsing online it is often included in the yarn description. However, if the knitted project has a decorative stitch pattern, the tension will most likely be expressed in stitches and rows knitted in that particular stitch pattern, which will not equate to a tension measured over stocking stitch and so it's trickier to compare to other yarns. If this is the case another pattern in the same book may use that yarn  & needle size with stocking stitch, or again you can browse the internet for that information. Having established a likely candidate of yarn you should ideally knit a test swatch in the relevant stitch pattern to make sure this will work out ok for you.

Texture & Colour of Yarn

Having established the right weight & tension, you need to turn your attention to other qualities of both the pattern's yarn and the one you want to replace it with. Is the yarn plain or variegated? Does it have any texture? If the pattern has a lot of fancy stitch detail then this will be obscured by texture and a lot of colour, so will be a waste of all that lovely stitching. As a rule of thumb the more decorative the stitches are, the smoother and plainer the yarn needs to be to show it off to it's best advantage. Likewise the plainer the knitting, the more coloured or textured yarns can be shown to best advantage.

 

Type of Fibre & Handle

The type of fibre the yarn is made of can be an important factor in terms of:
  • what you like the feel of
  • what you can or can't wear
  • aftercare in terms of hand or machine washing
  • strength of the yarn - e.g. heavy wear items like socks will need some synthetic in the mix for strength.
It will also dictate what sort of handle, or drape the knit up fabric will have, and two different yarns that have the same tension can be extremely different in terms of how the resulting fabric behaves. Some yarns will be be full bodied with bounce (such as merino), others will be inelastic (such as cottons), and some will be relatively limp. This has a large impact on the resulting object or garment, and getting it wrong can lead to disappointing results - for example a robust yarn may work well for a bag or cushion, but could be less than fetching as a lacy stole.

The type of fibre used can often be found on the ball band (see left). If you know your fibres, you'll probably be able to guess what the handle might be, but the best way to know for sure is to make a swatch. Now I know many of you knitters out there balk at the thought of knitting up a swatch, but it will save you wasting all those hours of knitting in vain if you chose your yarn unwisely, and it's just knitting afterall - aren't knitters suppose to like knitting???  You need to knit a generous sized swatch (6 or more inches) so it is large enough for you to have a clear idea how the resultant fabric will behave.


Meterage / Yardage

Having now selected the yarn you would like to use, you need to know what quantity you are going to require. In order to make sure you have enough yarn, you will need to work out the meterage/yardage - or as I like to call it, mileage :-). It is not enough to just match the number of balls or skeins listed in your pattern, as all is not equal in a 50g ball! The fibre content, thickness and texture can all have a large impact on how light or heavy the yarn is. The heavier the yarn is, the fewer metres you are going to get per gram. If you are lucky the pattern will also state the meterage/yardage of yarn per ball which you'll need to know when you come to working out the number of balls of yarn to get. If you don't have it to hand you can probably find this info with a trip to the yarn shop, or indeed the click of a mouse!

You will first need to convert the pattern's yarn to total metres/yards, so you need to multiply the number of metres/yards per ball by the number of balls required.

Example: Pattern states 10 x 50g (125m/136yds) balls of yarn X. To work out total metre/yards needed:
                
                                   10x 125m = 1250 (or 10 x 136yds = 1360 yds)

 So now you know you need 1250m/1360yds, you can work out how many balls you need of the new one by dividing total metres/yards by the netres/yards per ball of the new yarn.

Example: new yarn states ball size is 50g (175m/191yds).

                                    1250 metres  or 1360yds = 7.14 balls approx
                                         175                  191

Obviously you can't buy 0.14 of a ball so you round this up to 8 balls, and you may want to add an extra on in any case just to be sure you won't run out and to allow for swatching for tension.

If you are unable to ascertain the meterage/yardage of the yarn stated in the pattern, particularly if it's a vintage pattern and ancient yarn, then you will just have to make an educated guess, bearing in mind the fibre content (e.g. cotton has a lower meterage than wool), then add a few balls on to be on the safe side.

It Doesn't Have To Stop There...

One of the simplest ways to customise a pattern is to replace the yarn stated in the pattern with another that has a similar weight & tension, however the fun doesn't have to stop there! With a few more calculations you can alter patterns to use a yarn of a different weight. Also you may find there are other elements of a pattern you would like to modify to suit your shape and style better. You can learn more about customising knits by attending  my Custom Knits Workshop at Swansea in March which you can book here. Also the following resources may be useful to you for finding further information & articles about altering patterns (click on the pictures below):

www.knitty.com


http://www.ravelry.com/


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